Split Seed Review no longer seeking submissions, but offering quality-control reviews for published books

Over the past six months, I’ve had the chance to read a lot of independently published books, and I’ve learned a lot about the state of publishing independent fiction. It’s full of life and determination – I’ve loved hearing about everyone’s work, and I’m convinced independent fiction is here to stay and to grow. Independent authors are also learning about the vast expertise required to professionally publish a book, and I’ve seen several growing edges in the books I’ve read, whether in story development or design or cover copy.

But I’ve also learned a lot about book reviewing – and myself as a book reviewer. I feel far too beholden to the author to help them improve their work, which isn’t the point of a book review and doesn’t help an already-published book. I also find myself incapable of just being a reader – I can’t seem to keep myself from thinking about editing, or design, or marketing techniques – again, not appropriate for book reviews. In other words, I find myself wanting to serve the author rather than the reader – and I’m interacting so deeply with each book that it’s hampering my ability to get my other work done.

So I’ve decided to get out of the book review business and focus on helping authors develop and edit works before they’re published, where I think my feedback may have the best effect. To those of you who have submitted books for possible review – thank you so much for entrusting your work to me. I still intend to read through them and spread the word about the stories that have taken root in me, so your submission was not wasted. In fact, it’s been treasured so much that I’ve found it difficult to thoughtfully read each one, responsibly write up my response to the best, and take care of my current clients too!

For those of you who are concerned about your book sales and wonder if it might have to do with the quality of your book (rather than marketing techniques or market relevance, for instance), I’m now offering quality-control reviews of published books that will comment on story development, writing quality, and design, to help you know for sure – and to help improve your process for your next book (which you’re already working on, right?). Prices will be on the same scale as manuscript reviews (which review unpublished manuscripts on a broad and comprehensive level) – approximately $500 per 70,000 words. If you want to talk more about this option (or about a manuscript review for your next book), just contact me and we can talk about it.

In the meantime, I’d love to send you to two sites that have greatly enriched me as a writer and an editor: Writer Unboxed and its new sister site, Reader Unboxed. The first offers encouragement and tips on the craft and business of writing from well-published fiction writers and industry experts (agents, editors, etc.). Although most have found success with traditional houses, several respected indie authors are interviewed or contribute directly. Reader Unboxed reviews published fiction, and they even have an Indie Alley category. Here’s a sample review. They’ve done a lovely job developing their sites, as has the book review site Uncustomary Book Review, edited by the generous Kat Kiddles, and I can’t compete. Another thing I’ve learned is that it’s almost impossible for only one person, as a labor of love, to review books consistently and well. These sites wisely solicit reviews from a pool of passionate reviewers who firmly identify with the readers they’re writing for, and the Unboxed sites are considering using targeted ads to fund their effort, in addition to donations. Unless someone is independently wealthy, value deserves to be paid for – which is why I will always be willing to pay for books (and inherently distrust free or 99 cent books). I know the countless hours of effort that goes into a well-produced book, and the creators deserve to be compensated.

Bottom line: I’m much better suited to serving authors by developing, improving, interacting with, and polishing their work before it’s published, rather than judging it after its finished when I can’t really help change anything. Thanks to everyone who has borne with me through this experiment.

Keep sharing your stories,

Amanda

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The Counselor, the Cleric, and the Crook by Hank Shrier and Laurence Becker

Title: The Counselor, the Cleric, and the Crook
Author/publisher: Hank Shrier and Laurence Becker/GBN Publishing
Date: 2011

The co-author, Hank Shrier, did his due process by submitting a review request and an e-copy of his book to Split Seed Review, but primarily I know Hank as moderator of two helpful LinkedIn groups for independent publishers. The Counselor, the Cleric, and the Crook is the elaborate story of the life and death of Rabbi Baruch Teller, his estranged family, the several opportunists attempting to swindle the rabbi (and his heirs) out of his substantial estate, and the good-intentioned lawyer trying to help the family manage the morass of deceit and dysfunction. Little did they know there were forces at work larger than all of them.

Admittedly, this book is long, told from an “objective observer” perspective that struck me much like a lawyer carefully recording every detail so as to leave no stone unturned. Don’t expect a fast-paced novel, but a plodding account of how one family in Israel served as a connecting point for revenge, murder, and intrigue that had their beginning decades earlier and in various continents. (That’s all I can say about the story without risking spoilage.) About halfway through, I had to really use my willpower to keep reading, precisely because the style was so thorough that I thought I knew exactly where this story was headed and became impatient with the author’s need to record every detail. But now that I’ve read to the end, rest assured that all these details are there for a reason. There’s no way I ever could have predicted that ending.

The story takes place in modern-day Israel – this was the closest I’ve ever made to a visit there, and the authors were hospitable hosts. Whenever I travel (as sadly infrequent as that is these days), I’m the kind of traveler who does my best to blend in, to visit the places the locals frequent, and avoid looking like a tourist at all costs. This might mean I miss the big, famous sites (and the traffic), but it yields a longer, deeper impression of the real character of the city or country – what it might be like to live here, what kind of people choose to live here, where I seem to fit, and where I might want to visit again next time. What was unexpectedly delightful about this book was that the authors gave me just this kind of tour of Israel and the Jewish life, a context largely unfamiliar to me. I got the clear impression that this book didn’t intend to be “about Israel,” in an exotic sense, but just happened to take place in Israel, a perhaps-subconscious approach that revealed quotidian, subtle, but deeper details that made me feel like a local right away. Easy references to lesser-known details of Jewish life (to non-Jews, at least), the Mediterranean landscape, and the different character of various districts in no way distracted from the storyline.

Design notes: I read the pdf version on a Kindle (horizontally orientation greatly improves readability, which I figured out how to do half the book and one aching head too late), and it appeared generally well edited and designed. Any minor issues didn’t distract from me from the story. Would have loved an e-book version, and I hear it’s in the works. Based on an online picture I saw, the cover is well done and styled as a thriller novel – yet I wonder if a subtler, photograph-based cover might not capture the intended audience better.

This story may be a fictionalized version of a true story, but it certainly caused me to wonder anew at the simultaneous human capacities of depravity, resilience, and family loyalty.

The Counselor, the Cleric, and the Crook is available at http://www.gbnpublishing.com/.